KILLING YOUR DARLINGS - SELF-EDITING FOR SOFTIES

One of my favourite writerly activities is editing my own work. Which is lucky, because it's also the most useful. It's also the skill that I know I've developed considerably since becoming published  -  I am much better at knowing much earlier what needs to go and how to rearrange what's left. I am becoming rather embarrassingly good at killing my babies. When they're misbehaving, anyway: obviously, sometimes my babies deserve to live. Then I dress them up and coo over them proudly (in private).

I suspect that this self-editing skill is very hard to acquire before you've been taken on by an agent or publisher, and before you're published. And thereby hangs the horrible Catch-22 situation: you can't fully learn the art of self-editing until you've been edited, and yet you won't ever be edited until you've self-edited your own work sufficiently to be taken on by an editor.

Don't get me wrong  -  I'm not for a moment saying I now don't need to be edited. Gosh, ask my editor if you're not sure about that. I still fail to spot things and I still need that expert outside eye. I plan to need an editor all my writing life  -  the day I think I don't need an editor is the day I become too arrogant to deserve publication.

Perhaps at this point you are thinking, "Never mind: I've heard that the editor will do it all for me so it doesn't matter if my work's not good enough when I first send it." If so, please a) stop right there and b) read this blog post about that.)

Perhaps at this point you are also thinking, "Pah, editing! Editing is censorship. Editing destroys the cathartic process of writing. Editing destroys the soul of my master-piece." If so, a) prepare to remain unpublished and un-read for a very long time and b) read this blog rant here.

Somehow, if you want to be published (or to self-publish successfully) you have to learn to look hyper-critically at your own work. You have to learn to see it through your readers' eyes (if you want any readers, that is). You have to learn what they will be thinking and which aspects of that you care about. You have to learn to spot, in your own work, the moment at which you risk losing a reader. And that's the baby you have to kill.

Luckily, instead of listening to me become crabbit on this subject, you can read this excellent post here from Editorial Ass. Please do read it because it really is excellent and there's no point in my repeating the advice. And do read the many useful comments below it. Lots of different ways to edit and some inevitable areas of disagreement -  this is not science, but art, remember. But lots of sense and practical advice. Work out what works for you, matched to your genre, as there are different requirements for each.

Edited to add: have just seen this great post from BubbleCow: Tips on Writing a Great Second Draft.

There's a reason why I think self-editing is so hard before you're taken on by agent or publisher: until that moment, you have to think that any negative comment is wrong. It's called cognitive dissonance: the inability to believe something that conflicts with an entrenched belief. Your entrenched belief is that your book is publishable, NOW. If an agent says, "Yes, I'll represent you because I think your book is publishable, but you'll need to change this, this and this," you think, "Hooray! they're right!" and you willingly change this, this and this. But when an agent says, "Sorry, I like lots of things about your book but it's not strong enough because of this, this and this, so I can't represent you," your inclination is to think, "Nah, just an opinion," and send it off to another agent.

Similarly, once you're taken on, you happily allow yourself to be guided because you trust this person. You trust this person because they agree with you: that your book is publishable. So editing becomes easier, you become open-minded instead of stubborn and blind, scales fall from eyes: suddenly you can see into your work like a reader, not just a writer. And self-editing becomes easier.

Trouble is, the actual writing doesn't...

www.pen2publication.co.uk
This may be the time to tell you that Pen2Publication is almost ready to go. I'm going to do a "soft launch" in a couple of weeks. Meanwhile, you, my lovely blog-readers, are welcome to visit the website at www.pen2publication.co.uk and have a little look. I've got some great people interested in working alongside me, too, so we'll be able to cover more genres than I could manage on my own. You can email me if you like but I'm not taking clients quite yet.

Off to do some editing of my own work. Hooray!